Joshua bit his bed into a thousand pieces yesterday, so he just slept on a blanket in his kennel last night. Which means he didn't sleep well, which means he barked at 5 am. I took him out to pee and proceeded to get restless sleep for the next few hours, and had a very realistic dream where one of BYU's anatomy professor asked if they could keep a cadaver in our trailer, and I said sure, and then when we "woke up," the face and right arm of the cadaver were missing, and Joshua was out of his kennel, licking his lips.
"Kyle, we've got to make him throw up!"
"No."
"But Kyle, it's a whole arm! Soaked in formaldehyde! He's gonna be sick if we don't make him throw it up!"
It's been years since I've had a dream that felt that real. SO REAL.
Anyway, after I left this morning, he crawled into our bed and Kyle snapped this photo.
A-dor-able.
September 28, 2012
September 20, 2012
I need to post more.
So. Here is some post.
I'm taking head painting this semester from the illustrious Chris Thornock. We've been doing imprimatura studies (done in one color, usually burnt umber, and sketched with a paintbrush) and just started grisailles (sketch in an imprimatura, and then use "black" and white paint to give form to the, in this case, face).
Here's yesterday's imprimatura, done in 20 min.
I'm taking head painting this semester from the illustrious Chris Thornock. We've been doing imprimatura studies (done in one color, usually burnt umber, and sketched with a paintbrush) and just started grisailles (sketch in an imprimatura, and then use "black" and white paint to give form to the, in this case, face).
Here's yesterday's imprimatura, done in 20 min.
Then you mix up a range of grays, and lay them in, starting with the darkest. There's always a point where I stop and look at the canvas and think, "Uh oh." You start to think you're doing it wrong because it looks like it's not going to come together, but you just have to trust that you've been putting the right values in, and once you get to the lightest colors and lay them down, the face will make sense again. This is that uh-oh point.
And here's the final, after 3 total hours. My professor painted a few things at the end to teach me, like the white around the head (there was a white sheet hanging behind the model) and showing me how to blend with a dry brush and make softer transitions. But almost all of the marks are mine.
Haha. When I finished it yesterday, I thought it was sooooo good. But now, just 24 hours later, I can see all these things I want to change. Oh art.
Lastly, here's the example Chris brought in at the beginning of class. Isn't it funny that he might look at it and also see things he might want to change? So hard to believe, but I'm sure it's true.
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